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• The Bohlen-Pierce Scale
• Bohlen-Pierce Instruments
  • 9-string touch-stick / guitar
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• Lectures & Presentations
  • Barlow: On the Harmonic Rationalization of Pitch Intervals of Known Size
  • Bohlen: An early document on a novel scale
  • Boulanger: Strategies and Solutions
  • Erlich: Commas, Temperaments, and Scales, with particular attention to the ‘BP diatonic’
  • Foster: Algebraic Aspects of the Bohlen-Pierce Scale
  • Fox: The design and construction of Bohlen-Pierce clarinets and other wind instruments
  • Grolimund: A New Instrument – a New Scale
  • Hajdu: Starting Over – Chances Afforded by a New Scale
  • Harrop: Dissonance and the Bohlen-Pierce Clarinet
  • Kretz: HOQUETUS II
  • Lieberman: the SPACE between NOTES
  • Loui: From Sounds to Music: Learning the Bohlen-Pierce Scale
  • Mathews: The Early History from 1982 to 1988 of John Pierce’s evolution of his version of the Bohlen-Pierce scale.
  • Polansky: A Mathematical Model for Optimal Tuning Systems
  • Roads: On Purity
  • Stahnke: The Bohlen-Pierce Scale in the Context of Just Intonation
  • Sword: Lecture and Demonstration on the Bohlen-Pierce Scale and Tuning systems
  • Walker: Continuing Research on Perception and Performance of the Bohlen-Pierce Scale
  • Wessel: Designing and Performing Spectra Compatible with the Bohlen-Pierce Scale
  • Young: Cross-Current
• Participants
  • Heinz Bohlen
  • John Pierce
  • Amy Advocat
  • Klarenz Barlow
  • Samantha Bennett
  • James Bergin
  • Owen Bloomfield
  • Louis Cohen
  • Richard Boulanger
  • Stephen Davidson
  • Anthony De Ritis
  • Emily Doolittle
  • Paul Erlich
  • Neal Evans
  • Roger Feria
  • Kevin Foster
  • Stephen Fox
  • Marji Gere
  • Arturo Raffaele Grolimund
  • Georg Hajdu
  • Hubert Ho
  • Todd Harrop
  • Ákos Hoffmann
  • Tilly Kooyman
  • Johannes Kretz
  • David Lieberman
  • Psyche Loui
  • John Mallia
  • Max Mathews
  • Katarina Miljkovic
  • Stratis Minakakis
  • Nora-Louise Müller
  • Jascha Narveson
  • Shane Neill
  • Yvonne Ng
  • Larry Polansky
  • Reinhard Reitzenstein
  • Curtis Roads
  • Marion Samuel-Stevens
  • Rick Sacks
  • Dan Sedgwick
  • Manfred Stahnke
  • Ron Sword
  • Elaine Walker
  • Julia Werntz
  • David Wessel
  • Gayle Young
  • more bios under Compositions…
• Concerts
• Compositions
  • Barlow: Pinball Play
  • Basica: If some kind of intelligent life form…
  • Bergin: Liebesleid
  • Bloomfield: When the Ravens Descend
  • Borges: Ilustre Desconhecido
  • Boulanger: I Know of No Geometry
  • Cohen: Homage to Cage 2
  • De Ritis: Five Moods
  • Doolittle: Body of Wood
  • Douglas: Spectrum of the Last Eclipse
  • Feria: Re: Stinky Tofu
  • ffitch: Universal Algebra
  • Grolimund: Folk Tune Improvisation
  • Hajdu: Beyond the Horizon
  • Hamel: Die Umkehrung der Mitte
  • Hannan: No brighter sun : no darker night
  • Harrop: Calypso
  • Joaquin: Fragments
  • Kim: Color Me Grey
  • Köszeghy: UTOPIE XVII (chochma)
  • Kretz: Hoquetus II
  • Lemke: Pas de deux
  • Lukens: Permutations
  • Mallia: The Larches
  • Matsumiya: The Melting Sun
  • Miljkovic: For Amy
  • Minakakis: Anacharsis I
  • Moser-Booth: A Place Between Dark and Light
  • Narveson: Wire
  • NEU’s Ensemble: Half The Plate
  • Pierce/Mathews: Sea Songs Phasered
  • Quiñones: BigPot
  • Roads: Purity
  • Schwenk: Night Hawks
  • Shechter: BP Piscium Star Fragments
  • Stahnke: Die Vogelmenschen von St. Kilda
  • Walker: Songs
  • Waters: Little Duet
  • Werntz: Imperfections
  • Wessel: BP Compatible Spectra
  • Yi: Reminiscences
  • Young/Reitzenstein: Cross-Current
• Partners
• Practical Info
  • Rehearsal Schedule
• Registration
• Contact

The Bohlen-Pierce Symposium First symposium on the Bohlen-Pierce scale, Boston, March 7 – 9, 2010 WordPress